Susanne Stauch

social.transformation.system.design.research

Campus Collisions – When I die, how will you celebrate me? UdK, Berlin

 

A JOURNEY THROUGH FUNERAL CULTURE HERITAGE IN DIFFERENT CULTURES
Text by Jan Janas

(1) In our Western Christian-based world funeral is a place full of black color and sad faces. It is a very boring and dull ritual disembodied of its original spiritual meaning.
(2) In our Collision we have asked ourselves how to re-interpret funerals in a more contemporary and globalized way, following its long-lasting ritualistic heritage, but without focusing on one worldview, one religion, or one tradition alone.
(3) It appears that celebration and respect are the key words to be taken into consideration. Celebration of live in all its facets—with dead being a part of it, a part of the balance like Yin and Yang. And respect for the missed one and, in a way, for all the deads.
(4) In a research on what different cultures around the world think about death, we’d like to take you on a etymological tour that is the start of a re-designed 21st century funeral.
(5) In Japan, WABI-SABI is a therm that expresses the acceptance of the natural cycle of growth and decay. It is an aesthetic term that refers to the beauty of „patina“ or „usage“ over brand new.
(6) In ancient Greek, LETHE is a river underworld that, when drunk from, made souls forget the sufferings of life.
(7) In Old English, DUSTSCEAWUNG (literally „contemplation of the dust“), is a reflection on former civilizations and peoples, and on the knowledge that all things will turn to dust.
(8) In French, SILLAGE refers to the scent that lingers in air, the trail left in water, the impression made in space after something or someone has been gone; the trace of someone’s perfume.
(9) In Welsch, HIRAETH means the homesickness for a home to which you cannot return, a home which maybe never was; the nostalgia, the yearning, the grief for the lost places of your past.
(10) In the hebraic world, MIZPAH is the deep emotional bond between people, especially those separated by distance or death.
(11) While in German, KUMMERSPECK is the excess weight gained from emotional overeating. Literally, grief bacon.
(12) In Portugiese-speaking countries, especially Brasil, SAUDADE is „the love the remains“: a nostalgic longing to be near again to something or someone that is distant.
(13) Taking into consideration the various rituals around the world and the most deepest human needs for a funeral goodbye to their loved ones, we have had fun in re-designing ceremonies and are happy to exhibit them for your pleasure. 

  

   


SEED (Marilia Afxentiou, Louis Bruno Bindernagel, Hannah Möser, Mizu Sugai, Yannik Rohloff, Cindy Valdez, Patricia Wagner)

   

   


CONNECT (Ruth Biene, Jasmin Erb, Tal Golan Hazan, Jan Janas, Abena Karhan, Ivana Kolak, Pablo Martinez, Yasemin Ozkaynak, Momme Ries, Tim Süßbauer, Vi Nghiem Tuong)


OGS / OPEN GRIEF SPACE (Zoe Agathos, Louis Bruno Bindernagel, Forough Fami, Nikko Forteza Rumpf, Julius Führer, Grete Smitaite, Eicke Arved Zinke)


Concept and Supervision:
GastProf. Susanne Stauch, IPP, UdK
Virginie Gailing, Strategic Design & REDEATH.ORG
Sabine Schneider, Fashion/Costumedesign & Dance Pedagogy

with students from GWK, Product, Fashion, Art, Costume, Choreography/Dance, Musical/Show
Marilia Afxentiou, Zoe Agathos, Ruth Biene, Louis Bruno Bindernagel, Jasmin Erb, Forough Fami, Nikko Forteza Rumpf, Julius Führer, Tal Golan Hazan, Jan Janas, Abena Karhan, Ivana Kolak, Pablo Martinez, Hannah Möser, Vi Nghiem Tuong, Yasemen Ozkaynak, Momme Ries, Yannik Rohloff, Grete Smitaite, Mizu Sugai, Tim Süßbauer, Cindy Valdez, Patricia Wagner, Eicke Arved Zinke

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The Love School Project, BA design project, UdK, Berlin

Besides the financial support of the school in Nairobi, the goal of the project is diverse: it’s an experiment in co-creation as a new and empowering way to work together internationally, it will sensitize the students to see their work as a creative service in a client relationship and it offers the kids from the Love School Center the opportunity to participate in the purchase of the the grounds and thus support their feeling of self-efficacy. For all participants this project will be an inspiring, mind expanding experience.

With a focus on craft, material understanding and form development the project is dedicated to the number Pi = 3,14… The work will be mostly in porcelain and fine metals, wood and fabric are possible as well. Besides the design process the question of value of those materials, the necessity of new products and the relation to a global social context will be reflected. There is a cooperation with the „Love School Center“ in the Slum Kangemi in Nairobi, Kenya. Through the NGO „NYENDO“ we have the artist and a coordinator Anthony Karori on-site, who will work with the children around the topic of pi and will create drawings, collages, photographs etc. together. In exchange with the students from UdK these first interpretations will be taken up and developed further aesthetically, functionally and formally. The students will be in touch with the kids on a regular basis through skype and the finished design objects will be sold in an auction at the end of the semester. The revenue serves the purchase of land on which the Love School Center stands which is in danger of being cleared out due to speculation.

Concept & Supervision: GastProf. Susanne Stauch, IPP, ID2, UdK
Partner: Irmgard Wutte/ Nyendo NGO
Financial Support: Martin Bisicky & Dominik Becker

visit the website

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Impact Week in Nairobi, Kenia

Very much looking forward to participating as a design thinking coach at the Impact Week in July. It is a program uniting people from a variety of countries to develop sustainable business models using different innovation techniques like Design Thinking and Business Model Generation.

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Hacking Utopia – interdisciplinary project with GWK, Edgeryders’ research project #OpenCare and Startnext, UdK, Berlin

We had a very intense 3 day kick-off workshop in Sauen with 11 product design and 10 GWK students diving into the topic of #OpenCare and how this relates to hacking, people on the move, mental resilience, food cultures and their own lives. The project is contributing its research and design results to the project OP3N CARE, which is funded by the European Commission under the Horizon 2020 framework programme. We have very ambitious goals: working interdisciplinary within the university and in collaboration with the online community Edgeryders, this project is rooted in a real world context. StartNext is another partner, offering us input and support to create high quality campaigns to crowdfund the design results. Those will be shown at designtransfer, UdK in July 2016 and in a final exhibition of the research project in Milan and London in 2017. Another great opportunity for the students is the chance to apply for a fellowship to get further support on their ideas, e.g. by CERN. To find out about the project, visit the  OP3N Care Community for deep content and interest in the research or the Hacking Utopia website for a general overview of our project work

HUOC_workshop2

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